Archive for November 14th, 2007

A teacher’s perspective on creativity and learning – by Martin Owen

November 14th, 2007 by Graham Attwell

I would be delighted to host guest entries on the Wales Wide Web. I forgot to ask. But Martin Owen has emailed me saying: “I have been minded to write some things about 1994 for some time and I was prompted to write this. I think it might belong on Pontydysgu.” It certainly does, Martin. And I am honoured. Martin was one of the people who first got me hooked on technology and learning. you can read it here now. When I get the research pages sorted I will also add it there.

“I write this from a teacher’s perspective. I may write the story from a learner’s perspective later. It is a response to Graham’s piece of Nov 9th about the death of VLE’s.

This is a heresy in some circles – repositories of learning materials are not what the world needs. The idea that a teacher needs a mound of other people’s worksheets or powerpointlesses or yet –SCORM/IMS Learning Design structured learning objects is a figment of the imagination of deranged computer scientists and people who need tidy desks to remember where they put things.

I will say that having good access to some neat stuff (like a well drawn diagram of  Fleming’s Left Hand Rule which I found in seconds on Wikipedia) and sharing that knowledge with others is incredibly useful.

What was true in 1994 – when I first wrote a successful grant proposal for social media in education – is true now. Sharing and borrowing is what we need to facilitate. Sharing and borrowing are social actions. They involve reciprocity and interaction between the people who share and borrow. It comes with knowledge that the people are the source and people are the receivers of this stuff and that is quite a different mindset to the notion of a repository. They are verbs associated with communities. They come with conversations.

It is increasingly easy to find stuff and publish stuff in ways they can be found. The repository is the internet and search engines are pretty dam powerful. They both become much more powerful when people are trading ideas around what is there.

My first attempt at a “virtual learning platform” was an open access room in my University that was open ‘til late. It had 12 networked MacPlus with some networked hard drives (G. Sidhu is the unsung hero of modern computing for developing AppleTalk) with the best peripherals and software tools I could afford (Scanners etc). People met, people talked, people traded, people created together. My second attempt added FirstClass to this – which coupled with putting 56 computers into the schools where my pre-service trainee teachers were learning to teach. I learned from this.

One thing I learned is that teaching and sharing on line is not straight-forward. People who were starting using the internet for learning just then where doing things like putting up some text and the telling students to “discuss and respond” in some associated forum. The kid who was going to do well usually wrote a convincing response and the best the rest could do would be to say “me-too” or “flame”. Instruction to students needed to be structured in ways that allowed multiple responses and required students to think about how they would involve others in their learning. It needed to be like the open access room where there was borrowing, sharing and mutual support. I have some  historic advice on this.

The online environment we started to build as a European Framework 4 Telematics project REM was about a multi-media learning network (we were not building platforms or repositories- we were building tools for a learning network – a different mind-set). It had means to share and discuss resources and to build collaborative learning in a virtual resource rich environment. As with all too many projects the files now rest on an old hard disk with files dated December 2000 – the end of funding.

There was a tension in the development I am only just fully coming to understand. There was some feeling amongst the project workers that there was “a” workflow through which we would drive people. We adopted a model from a paper by Lehrer et  et al . This was constructivist in its intent – however I do not think that the authors intended it to be as hard wired as a workflow as our designs might have made it.  I think design and learning are not one-way flows or on a single track. Human activity is capable of managing multiple tracks – and prefers it that way – that is to say learning is managed by the learner – learning management is not imposed or assumed by the system. As an aside, my colleagues who promoted this system initially (with my full agreement) went on to be leading proponents of IMS Learning Design. I think at a micro level it is clearly the job of a tutor to direct attention to what is salient and more importantly provide formative feedback to students on their learning. I am far from convinced that there is a set of recipes, templates or algorithms that are the formula for teaching and learning success. I appreciate that has been a holy grail for learning technology. My 36 year career in learning technology has been littered with such visions from   Skinner  onwards. I think humans are much too good at learning to be constrained by such tracks.  I even proposed an   educational modeling language  based on conversations and meaning making (as per  Nonaka) myself.

I   do think that some of the ideas expressed about the teaching of creativity in design by  Richard Kimbell at London Goldsmiths – who proposes phases like having ideas, developing ides and testing ideas without suggesting that students might not be doing all three in some sense at any time – although design will tend to go in a general direction if it is to be completed.

But getting back to the main thread of thought. In our second phase of development of this learning network tools we engaged with a BIG international bank. What was learned from talking to their training management was that they had  profound understanding of learning in their company, that development of staff was multi-dimensional: company process knowledge; knowledge of the industry’s facts and concepts (legal frameworks, economics etc) ; generic knowledge (IT skills) and interpersonal skills and so on. Using a standardised controlled vocabulary to describe their resources or most of the wrappings of systems like SCORM did not begin to address the richness of training they needed to deliver. However they were very systematic in profiling employees, their employees career trajectories, and equally profiling the needs and skills that the company required to function as a business. They recognized they needed systems of mentoring, instruction, community building, reward-giving, need-identification, ambition fulfilling . They had their own dynamic mappings of conversations, resources and learning pathways. The pathways were never straight.

Here is a simple case example. An employee was newly charged with writing a quarterly report that demanded skills in spreadsheets and charts he had not previously had. Normal processes would have had them identify and external course provider and sent the employee out for a day at some high-cost and loss of his labour for that day. A modern trend might have been the provision of one of the many dull online courses there are in the subject. However the company had tagged or profiled one of its employees with “Excel expert” and “mentoring” attributes. The company demonstrated that having someone show you the ropes to get going and being there to help when you get stuck is quite and efficient way of learning to use software – and in the process two people were having their career developed and a community of practice was being augmented.

When Graham Attwell writes about social media tools connected together to make learning are   better than VLEs  we should think about that social process of learning and teaching. Sure we can probably do them better with loosely coupled tools but I can still make cock-ups. The way we plumb things together is significant and needs to map onto the activity system or be part of the transformation of an activity system. That is a new skill – however we are fortunate in that the tool-bag is fairly bulging with opportunity and we can add, remove, augment or find scope for new invention. We can build many tailored systems for sharing and reciprocity that are true to the context in which they work. One size, one platform, one standard does not fit all.

Sounds of the Bazaar 14

November 14th, 2007 by Graham Attwell

This edition of Sounds of the Bazaar came out a couple of weeks ago. But it was just before we launched this web site. So I am republishing it now, for those of you who may have missed the original on the Bazaar site.  And, don’t forget, Sounds of Bazaar can also be obtained from the iTunes store.

Welcome to the second of our special series of autumn shows. This series is being produced in conjunction with Online Educa Berlin. Each edition we feature some of the themes and speakers form this years Online Educa conference, being held at the end of November in Berlin.

In this show we feature two contributors to Educa. Ruth Rominger is Director of Learning Design at Monterey Institute. Ruth talks to us about the development of Open Educational resources, social authoring, sustainability models and much more.

Steve Wheeler will also be at Online Educa. He is part of a panel looking at the potential of Multi User Virtual Environments, including Second Life, for learning. In the interview Steve talks about the development of a project on sexual health in Second Life.

Web site of the month is “not School, not Home , but Schome.”

We present the second part of our interview with Stephen Downes.

And I talk about the forthcoming Bazaar conference.

The musical mix which holds it all together is the work of Dirk Stieglitz. As a good tradition the music comes again from the great music site Jamendo.com and is published under a Creative Commons licences. In this volume you listen to the band Killing Jazz and their album “2nd Round“.

We hope you will enjoy the show.

 
 
 
 
 
 
 
 

Sustaining the commons

November 14th, 2007 by Graham Attwell

ccmixterInteresting letter from Larry Lessig asking for advice about the future of ccMixter, “the community music site featuring remixes licensed under Creative Commons, where you can listen to, sample, mash-up, or interact with music in whatever way you want.” I first came upon ccMixter when I was searching for Creative Commons licensed music. It is a great site and I had a go at the remix competition myself (although the result was so bad I never actually entered it).

Firstly, great that Lessig has written to all those registered on the site. And I am sympathetic to his fear of being misunderstood – in the Open Content movement we can get too paranoid about peoples’ motives sometimes. More importantly, it raises big questions about how we sustain open and free resources. Servers cost money to run. Users require support. Technical development is important if services are to grow. sadly, legal advice is critical. And, without advertising, which I personally hate, the more a service becomes popular, the higher the cost. ccMixter is not the only service facing this challenge. I think Larry’s proposal seems a sensible courses to pursue. I would be very interested in hear what others have to say – not just on the subject of the future of ccMixter but on the general issue of developing and sustaining free and open community services

“I am writing to ask for your advice about a Creative Commons project that you know a great deal about: ccMixter. Let me start by saying “thank you” for participating in that project. By sharing your gifts with the community so that other musicians can learn and create together, you have helped us make it clear that culture is enriched when artists work together in a legal and sane way.

As you know, ccMixter.org started as a tie-in promotional remix contest with WIRED magazine . Thanks to you, it has grown into a vibrant community of quality musicians sharing not only their love for music but the music itself, and not just with each other but with everybody through Creative Commons licensing. As part of a larger initiative to spread the word about music in the Commons, that one-off remix contest site is now part of the larger Creative Commons Sample Pool that boasts over 50,000 CC licensed music samples including 700 amazing a cappellas. As sponsors of ccMixter.org and the Sample Pool initiative we are both honored and heartened that the music production community has taken to these projects.

We at Creative Commons are now working through how we can best build upon the success that ccMixter is. We are a nonprofit. We don’t have the resources or expertise to turn it into a business. Nor do we want ccMixter to lose its special commons-like character. We are therefore considering a move that I’d like to get your feedback about.

This move would change the “ownership” of ccMixter, and add to its potential. It would not in any way change its importantly “free” character. In reading the description that follows, please keep this promise in clear view: ccMixter’s core character — as a free, non-advertising space where people can share and remix (at least for noncommercial purposes), will not change. Instead, the change we are considering would simply complement this core character, with added functionality, and value, that we believe could help sustain the site, and make it much more significant.

It is this change that I want to get your feedback about. The plan currently being discussed is to identify a competent commercial entity to take over operations of ccMixter. Subject — again — to the
requirement that they keep the existing ccMixter.org site as it is, this commercial entity would be free to add commercial services beyond the services currently provided. Again (and I know, even if I say this 100 times, there will still be some who don’t hear it), ccMixter.org would remain as it is. It would be kept free from any commercial interference (fees, ads, etc.) and continue to have all the music owned by you, licensed under CC; in other words, everything exactly the way it is. But the company would fund the free site by creating a new business-to-business website devoted to serving commercial consumers of music.

This new site (call it ccMixter-Plus) will be for commercial purposes and require that the artist signs a (non-exclusive) contract with the company to participate. By signing with the company, the artist will allow the company to license music for the financial gain of both the company and the artist. Registered users of the free ccMixter site will be NOT automatically be signed to the business site. That decision will be between the artist, company and fellow artists. No one will be required to sign. No one’s rights to use ccMixter.org will change depending upon whether they sign. The only change would be to offer to artists who want it a way that they might commercialize some of their (and everyone who wants) creativity. And its aim would be to enable this opportunity with minimal hassle.

So, again, ccMixter (the free site) would continue to work the same way it always has. But it would now also serve as a “community A&R” pool for signing artists to ccMixter-Plus (the music licensing site). The profits from the business, in turn, would fund the free site, and guarantee it can continue to grow as one of the most interesting music remix sites on the web……..”

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