It is nearly the end of November and time for Pontydysgu’s annual trip to Online Educa Berlin. And as usual, together with our friends form the University of Koblenz) we will be presenting our Internet Radio show, the Sounds of the Bazaar, live from the conference.

Sounds of the Bazaar will go out on Thursday 5th of December and Friday 6th December at 1100 – 1140 Central European Time. As usual we will present all the best from Online Educa, including interviews with speakers and participants and visitors and reflecting on this years developments and trends in the use of technology for learning.

There are different ways you can get involved. If you are coming to Online Educa we would love to interview you live on the show. Just email me Graham Attwell at graham10 [at] mac [dot] com telling me what you would like to talk about. Or come along to find us at our planning meeting from around 1400 on Wednesday 4th in the Marlene Bar. Or just turn up for the broadcast – once more by the Marlene Bar – and we will try to fit you in. If you aren’t lucky enough to be coming to the conference in Berlin, then be sure to tune into our programmes.

The address of our live stream is http://uk2.internet-radio.com:31022/live.m3u. Open this in your internet browser and it should stream from your MP3 player of choice (e.g. iTunes). And we will tell you how you can get in touch with us to ask your own questions or give us feedback on the broadcasts.

This year we have a special extra programme. RadioActive Europe is a European Commission funded project a pan-European Internet Radio platform, incorporating Web 2.0 functionality, linked to innovative community based pedagogies to address themes of employability, inclusion and active citizenship in an original and exciting way. Along with the project coordinators, the University of East London and the University of Koblenz, we will be presenting the project on the European Commission stand that Online Educa. As part of our presentation , we will, of course be broadcasting a live radio show. We will be talking live to the different project partners and exploring their work with different groups through RadioActive Europe. At the same time we will be featuring short clips from broadcasts for each of the project partner countries – in the UK, Germany, Portugal. Romania and Malta.

And once more we would love to hear from you. The programme will go out from 1215 to 1300 CET on Thursday 4th December from the EU stand at the conference. Once more if you are not able to be in Berlin tune onto the programme live. The address for the radio stream is http://uk2.internet-radio.com:31244/live.m3u.

If you cannot listen n live, podcasts from the programmes will be available on the RadioActive101 web site, the Pontydysgu web site and Online Educa following the conference.

Look forward to talking to you all – face to face or live on internet radio – next week.

Pontydysgu is involved in a great project at the moment using internet radio. The project, called RadioActive101 and funded by the Nominet Trust,  stemmed from a series of discussions regarding using radio for disadvantaged young people in Hackney in London.

We explained the ideas in our paper for the PLE conference (Ravenscroft, A., Attwell, G., Blagbrough, D. & Stieglitz, D. (2011). RadioActive -„Jam Hot!‟: Personalised radio ciphers through augmented social media for the transformational learning of disadvantaged young people. Proceedings of Personal Learning Environments (PLE) 2011, 11-13 July, Southampton, UK.) :

The aim was to develop a Critical Pedagogical Framework that would “empower the students, together with the teachers, to challenge marginalizing social contexts, ideologies, events, organizations, experiences, texts, subject matter, policies and discourses.” (Williams, 2009). Important in this was the development of an identity that is consciously critical through learners acting as active agents who can take control of the construction of their own being.

We are currently using this cipher concept as a metaphor for designing digitally enabled ciphers within RadioActive. This is a hybrid internet-radio and social media platform to support the transformational learning of disadvantaged young people.

Critical to this is the appropriation of technologies as a form of expression of popular cultures and their use of technologies within those cultures to explore and develop a critical approach. This re-formulation of Freire‟s (1970) seminal notion of developing a critical pedagogical framework in his work on literacy is an attempt to develop new critical literacies through the use of new media.

Over the last nine months we have been working with two youth clubs, Yoh and Dragon Hall, in London and have produced some six or so trail programmes. Now we are working on developing a regular broadcasting schedule. In a future article I will write something about this work.

Since the start of this year, we have extended the project to Europe through an EU funded project, RadioActive Europe, with partners in Germany, Malta, Portugal and Romania. Each country is working with different groups to develop their own internet radio station. To set these up we are holding kick off workshops in each country, with the objective of broadcasting an initial programme. The first of the workshops will be in Germany this Saturday.

The   Mehrgenerationenhaus website explains the idea (as translated by Google)

With the project “Internet Radio by citizens for citizens,” the MGH treading new ground. For this, the multigenerational people still look all ages who wish to participate. The kick-off workshop will be held on Saturday the 27.04.2013 at 10.00 clock in the MGH. At 13.00 clock then the first webcast (Internet radio) goes live on the air. Then the group will meet regularly with the aim of Internet radio reports to send to local issues. Accompanied and guided professionally in the long term, the project of Andreas Auwärter, Radioactive Europe, Knowledge Media Research at the University of Koblenz-Landau, an official partner of the multi-generational house.

Even programs designed to prepare first of all a lot of fun and is also very easy. The audio format offers a variety of design options, from interviews with experts on property reports and coverage to small acoustic scene games are open to all possibilities. And last but not least Radio is an interplay between mental cinema and stories. Make radio works best in a team. From this we learn not only methods to acquire and evaluate information, but also how to structure them, and presents. But the biggest compliment is to be dialogue with the listeners, who certainly can not wait too long.

There are many ways to contribute its skills do not end automatically at the microphone. A radio needs editors, interview Preparer, appointment coordinators, people with ideas and imagination, writers, presenters, audio designer and much more. Of course, this modern media are actively used all the people to give a voice to the spot. With years of experience of the group Radio Active Europe partners each participant has the opportunity according to their own prior knowledge to learn everything necessary at their own pace.

Radioactive Europe is a two-year research project under the Lifelong Learning Programme of the European Union, and especially the older generation would like to introduce them to modern information and Communication. Radioactive Europe has set itself the goal to actively use this medium to give people a voice. It particularly interested in those who are otherwise little heard.
Information and registration at MGH 02631 Neuwied call 344,596.

Follow us on Twitter or visit us on Facebook.

For more information, see http://de.radioactive101.eu

Last week we broadcast three live internet radio programmes from the European Conference on Educational Research (ECER) in Cadiz. Here is the first of the programmes.

ECER is a huge conference, this year attracted some 2700 participants. It is run by 27  networks who each put together their own programme. The networks cover a wide range of topics – from Continuing Professional Development: Learning for Individuals, Leaders, and Organisations to Open Learning: Media, Environments and Cultures to  Social Justice and Intercultural Education.

We wanted to reflect the diversity of the networks in our programmes and at the same time try to capture something of the feel of the conference. I don;t know if we succeeded but it was a lot of fun and also hard work.

Many thanks to the Pontydysgu crew: Nic, Jen, Dirk and Maria.

Programme participants (in running order)

• Jennifer Collins – From the EERA office talks about her role in the conference
• Tina Besley & Michael Peters – University of Waikato, New Zealand talk about their network’s research into Intercultural Education and Dialogue
• Danny Durant – From the Institute of Education, London, talks about ECER London 2014
• Kerry Facer, Helen Manchester & Howard Baker – Discuss their research into Open Learning
• Phil Mudd – From Routledge Press talks about e-publishing and the threats and opportunities it poses to traditional modes of publishing
• Vox Pops – Roving reporter Jen Hughes pounces on unsuspecting delegates to find out what they think about the conference

Programme length: 30 minutes

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RadioActive Europe project which will work with different groups of young people and adults to develop internet radio and set up a European Internet Radio hub kicks off in November. But we are already working on a RadioActive project in London, funded by the Nominet Trust and I am in contact with a number of projects and initiatives around Europe using using radio and video channels with young people and adults.

One of the biggest problems for these project is music. Well it isn’t music as such that is the problem. Access to music has never been easier. I am nostalgic  for those long hours I spent browsing in record shops, and taking hard choices as to which album to spend my hard earned pennies on. Now my phone has more music than was ever contained in my much loved collection of LPs.

The problem is the licensing of commercial music for streaming over the radio or for use in downloads of radio programmes. And of course many young people want to play their favourite music. It is a form of curation and self expression. From talking to many musicians, they too want their music to be played on internet radio. It is a way of reaching new audiences who might buy their music.

But the licensing, controlled essentially by the music industry (and certainly not the musicians) is a total mess. I ploughed through the UK licensing documents last week to try to make some sense out of what we can and can’t do through RadioActive. And this is what I came up with.

“1. For broadcasts that include non Creative Commons licensed material

a) requires a sign off by whoever owns the music – e.g. a friends band

OR

b) A PRS For Music licence and a PPL licence.

In the case of (b)

1. We cannot offer the download of programmes or files containing any part of any Sound Recordings. This includes Podcasting.

2. We cannot loop the (streamed) replay within a 3 hour time period.

3. No more than

– 3 Sound Recordings from a particular album

–  2 Sound Recordings from a particular album

– 4 Sound Recordings by one particular artist

– 3 Sound Recordings by one particular artist consecutively

Assuming – reasonably I think – that we do not go over 270000 performances per year the 2012 licence fee for PPL’s Small Webcaster Licence is £189.41 (plus VAT).

If we played say 8 recordings per hour this would provide us with 649 listener hours per week.

We would have to provide quarterly a Webcasting Report detailing the total number of Listener Hours (i.e. the aggregate duration that all users have streamed the service), and the average number of Sound Recordings played per hour for the quarter and (if they ask for it) –  a Programme Report detailing all of the Sound Recordings used during a given day’s programming.
We also need to know which countries listeners come  from (via web analytics).

The PRS license is far less restrictive costing £118  for 118000 streams. it also allows downloading.

How could that work? For instance cover versions of copyrighted music can be downloaded but commercial recordings cannot.

So in summary (assuming we purchase both licenses) broadcasters have three options

a) To play friends original music with permissions (obtained on paper or by electronic media)

b) To play cover versions of versions by friends with permission

c) To play music covered by a creative commons license

In these three cases we can offer unlimited streaming and downloads

2. To include commercial music in which case we cannot offer for download but can offer on looped streaming subject to conditions detailed above

I think we should purchase the licenses and then explain conditions to broadcasters to make their decision.”

It is all a bit of a nightmare. Jamendo.com is an increasingly rich source of Creative Commons licensed music (although I am told even this is contested in Portugal). And I hope through the RadioActive projects that we can start recording original music. But themess of licensing is stigling creativity and preventing many musicians from getting their music held. All this in the name of an industry which has spectacularly failed to keep pace with changing technologies and changes in the social ways in which we listen to and share music.

It is becoming a bit of a tradition that every summer the Sounds of the Bazaar Internet Radio show goes on tour. This year is no exception. And we have lined up a brilliant schedule over the next month including live coverage from conferences, workshops, summer schools and festivals spanning four countries.

To listen to any of the programmes just go to http://cp2.internet-radio.org.uk/start/ravenscroft/

You can listen direct from this web page or open the stream in the music player of your choice.

We kick off next week from the Personal Learning Environments Conference in Southampton, England (#PLE_SOU) with two lunch time shows. We wil be broadcasting live interveiws, vox pops and bringing you the best of the conference live from Southampton. The shows run from from 1330 – 1400 UK Summer Time (1430 – 1500 Central European Time) on Tuesday 12 and Wednesday 13 July.

On Friday 15 July, we have a special broadcast being produced as part of a workshop with Inspire! the Education Business Partnership for Hackney, the Yo youth agency and the University of East London and sponsored by the RadioActive and G8WAY projects. More on this soon but it promises to be great fun. The programme goes out from 1530 – 1600 UK Summer Time (1630 – 1700 Central European Summer Time).

The following week we will be broadcasting LIVE from the Gary Chapman International School on Digital Transformation in Porto, an event jointly organised between the University of Porto and the University of Texas.

The summer school themes are

• Information access and open civic discourse
• Digital tools for government transparency
• Evolving Internet content regulation and the public’s right to information
• Digital media and the democratic process
• Factors influencing the growth of online civic engagement

Details of the radio show are still being finalised but we can promise you some surprise guests along with great interveiws and content for anyone intersted in digital media.

And the last stage of our summer tour takes us to SMIAF – the San Marino Arts Festival where we will be running workshops and broadcasting live from one of the city squares. If you are interested in getting involved here are more details:

Graham Attwell (UK) & Dirk Stieglitz (DE) di “Pontydysgu – Bridge to Learning” e della web radio: “Sounds of the Bazaar” condurranno il workshop in occasione dello SMIAF 2011.

Insieme a loro si capirà come costruire una web radio, come produrre il materiale per il broadcasting e tutto quello che serve per trasmettere.

Il workshop prevede due incontri:
Venerdì pomeriggio a partire dalle ore 15
Sabato mattina alle ore 10,30.

***Si richiede ai partecipanti un pc, mac, laptop…personale.
Lo SMIAF non fornisce computer ma solo la connessione WIFI, gentilmente concessa da PRIMA s.r.l.

Dopo il workshop..anche broadcasting in diretta:
Sabato 6 e domenica 7 agosto in occasione dello SMIAF si potrà dare vita alla prima SMIAF web radio e trasmettere in diretta da P.zza S.Agata durante il Festival.
I partecipanti al workshop e anche al festival sono liberi di trasmettere musica, interviste, e tutto quello che ritengono bello ed interessante per quei giorni.

Per iscrizioni al workshop, invia una email a: smiaf.giovanisaperi@gmail.​com

Don’t miss these shows – there will be lots of room for participation and we are looking forward to a great summer radio tour.

Through the Mature project I have been invited to submit a proposal for a lecture or workshop for the JTEL Summer School to be held in Ohrid in June. The JTEL summer schools, the publicity claims, usually attract about 80 researchers, providing an exciting forum for cross-disciplinary dialogue, fostering new research collaborations and partnerships, and an opportunity for the next generation of TEL researchers to gain insight from leading experts in the field.

The summer school is being organised by the Stellar network and proposals were asked to explain how they contribute to the network’s three Grand Challenges:

• Connecting learners
• Orchestrating learning
• Contextualising learning environments

So here’s my proposal. I enjoyed writing it and if anyone else is interested in us running such a workshop juts get in touch.

Short description

The workshop will focus on the use of internet radio in education.

1) An exploration of the use of media (and particularly internet radio and television) for learning and shared knowledge developmentThis will include looking at issues such as:

a) The appropriation of media

b) The change from passive media to interactive Web 2.0 supported media and the changing distinctions between broadcaster/program planner and listener/consumer.

c) How media such as radio can support the development of online communities

d) The use of media to bridge contexts and provide spaces for exploration and shared meaning making.

2) A practical hands on session on how to plan develop and broadcast live internet media. This will include storyboarding, interviewing, finding Creative Commons licensed music, making jingles, mixing and post processing, directing and producing and using the technology for live broadcasts.

3) The third session is planned to take place in a lunchtime or evening session. This will be a live 45 minute to one hour broadcast “Sounds of the Bazaar – Live from Ohrid”. It is hoped to involve all summer school participants in the broadcast. The broadcast will be publicised in advance through iTunes, Facebook, Twitter and other social software platforms. It is also intended to use the boradcast to link to other researchers in TEL from around the world not able to be at the summer school. The programme will be recorded and made available through the Summer School web site, the Mature project web site, the Pontydysgu web site and through iTunes.

Contribution to the Grand Challenges agenda

The workshop is primarily designed to contribute to the Grand Challenge of Contextualising virtual learning environments and instrumentalising learning contexts.

Live internet radio provides both a shared context and space for learning, with universal reach outside of institutional or national boundaries, whilst at the same time allowing individual to collectively contribute to the development of shared artefacts, which in themselves can become part of the repertoire of a community of practice. Radio also offers a means of actively engaging learners in a community and through appropriation of what was a push (or broadcast) media, through merging with Web 2.0 tools and standards allows community participation and self expression.

Nareszcie mam chwilę na mój pierwszy … ojej, jak to sie nazywa po polsku … aha, znalazłam, wpis na blogu! Eureka! Ja się przez tego bloga nauczę przynajmniej nowej wersji polskiego – polskiego 2.0 😉  Bardzo Was z góry przepraszam, za moje ewentalne potyczki językowe, ale mieszkam poza Polską od jakiś 10 lat i od tego czasu trochę się w języku zmieniło…

No, ale to inny temat.

Dzisiaj chcę się z Wami podzielić moimi spostrzeżeniami na temat nowych możliwości, jakie daje prowadzenie “na żywo” lub udostępnianie wcześniej zarejestrowanych wykładów przez Internet.

Coraz więcej uniwersytetów, uczelni i innych placówek oświatowych udostępnia swoje wykłady w Internecie, przełamując w ten sposób m.in. bariery czasowe i przestrzenne. Każdy może w najbardziej dla siebie dogodnym miejscu i czasie obejrzeć wykład na interesujący go temat. Do tego wielokrotnie i we własnym tempie. Profesorowie, których znamy tylko z imienia na okładce książki, stają się przez to dla nas żywi, prawie “namacalni”. Możemy lepiej poznać tok ich myśli i sposób argumentowania.  Taki cyfrowy wyklad można obejrzeć lub posłuchać sobie na komputerze/laptopie, na iPodzie, mp-trójce albo na innym przenośnym urządzeniu.

Ja na przykład, chętnie słucham nagrań Prof. Gabi Reinmann na iPodzie, kiedy jadę kolejką do pracy. A że mieszkam w Berlinie, jest to dla mnie sposób na konstruktywne spędzanie 100 minut (sic!), które codziennie poświecam na dojazdy …

Znane uniwersystety, jak Yale, MIT, Harvard, Stanford, Berkeley, Princeton, oferują takie, bardzo często darmowe, wykłady “na wynos” nie tylko swoim studentom, ale tez i szerokiej publiczności.

Niedawno w Washington Post Bill Gates stwierdził, że takie portale jak Academic Earth zrewolucjonizują edukację. Academic Earth, Lecture2Go lub Learners TV oferują dostęp do wielu wykładów, prezentacji i kursów, umożliwiając nie tylko personalizację nauki, ale też interaktywność i komunikację z innymi osobami o podobnych zainteresowaniach. Na Academic Earth można na przykład dodać nagranie do listy ulubionych lubi polecić ulubiony wykład innym. Na kanale YouTube uniwersytetach Berkeley czy Stanford można oceniać, komentować i dodawać wykłady do własnych “Playlists”, czyli organizować np. na podstawie tematu, profesora lub uczelni. Takie indywidualne organizowanie materiałow edukacyjnych pozwala nam na przejęcie większej odpowiedzialności za własna naukę.

Także Apple ma swój kanał edukacyjny, ktróry daje dosęp do nagrań audio. Ponownie innowacyjne uniwersystety Stanford i Berkeley zapewnią dostęp do wielu cyfrowych nagrań audio na iTunes Store. Są tam zarówno strony publiczne, które obejmują wolnodostępne kursy i wykłady oraz strony dostępne tylko dla uczelnianej społeczności.

Ale podczas gdy kilka znanych uczelni udostęnia darmowe wykłady, wciaz istnieje bariera kosztów i bariera kompetencji związana z dostępem i rozpowszechnianiem takich materiałów na wielu innych  uniwersystetach. Wiekszość uczelni działa nadal w tradycyjny sposób, pomimo że istnieją już rozwiązania techniczne i dobre przykłady, na których można się wzorować. Jest też problem wyposażenia placówek oświatowych, np. nie wszystkie biblioteki posiadaja komputery z dostepem do Internetu.

Myślę, że w wielu przypadkach przydatna jest taktyka małych kroków. Jeśli znajdzie się ktoś, kto zainspiruje, sporóbuje, zaeksperymentuje, to są szanse, że ta iskierka rozpali ogień.

Jakie są Wasze doświadczenia z nauką “na wynos”? Z jakich kanałów korzystacie? Może są u Was na uczelni pierwsze próby z wykładami online? Bardzo jestem ciekawa. Piszcie!

The Jisc SSBR Institutional Innovation project conference on Institutional Impact, held last month, featured a series of accompanying internet radio broadcasts produced by Dirk Stieglitz and myself.  The radio was also streamed into the Elluminate platform and into the Second Life social event in the evening. The keynote presentation by John Cook was broadcast live,  ande radio programmes featured music, interviews and phone in sessions with guests.

Following the event I was asked to produce a short piece for the Jisc SSBR Create project newsletter, which is sent to all the programme projects. I hammered something short and sweet into an email and forgot about it. Anyway a week or two later, Goerge Roberts got back to me asking for “something a little more reflective and analytical about the intention, effect and outcome of the radio, not just what happened.”

That I have done and emailed off to George and to Emma Anderson who edits the newsletter. But I thought the ‘reflection’ might be of interest to a wider audience. So here you go….

“The radio show was seen as an experiment and had a number of objectives. One aim was to experiment with mixing different media in an online conference. Different media provide different affordances, and a mix of media can provide a richer online learning environment. However, anecdotal evidence would suggest that participants can be confused by multiple platforms especially when each requires a separate login. The radio programme was streamed through Elluminate allowing easy access, despite offering lower quality than the online internet stream. Although other conferences and events – notably those organised by Webheads – have used internet radio as part of the ‘mix’, as far as we are aware this was the first time internet radio had been streamed through an online platform in this way.

A second issue with online conferences is continuity. Experience of previous events suggests that the concentration involved in participating in such events is tiring and that frequent breaks are desirable between sessions. However, with the lack of proximately of co-participants in a shared physical environment, the continuity of the event is lost. The radio programme provided continuity by ensuring there was always something happening, whilst at the same time allowing for less intensive concentration and participation than the regular conference sessions. At the same time the radio was able to offer both a continuity link in terms of the themes of the conference and an opportunity to extend, explore and reflect on those themes through pre-recorded and live interviews with those involved in similar or related projects and initiatives.

Whilst parts of the radio broadcasts were streamed into the Elluminate portal, the broadcast also allowed those not registered for the conference (for which registration was limited to Jisc programme participants) to listen to the keynote presentation by John Cook. Although the radio was announced in advance, we suspect that most listeners learnt about the broadcast from Twitter.

Although our statistics are limited, it is interesting to note that a considerable number of listeners appear to be from outside the UK and particularly from continental Europe. This could be of potential importance in dissemination or ‘benefits realisation’ for Jisc projects.

All the radio broadcasts have been made available after the conference as MP3 podcasts. The podcasts of previous live radio programmes have been relatively popular, usually attracting at least 500 downloads over a six month period. The podcast of last year’s Jisc emerge project live broadcast form Alt C in Leeds has had over 2500 downloads!

Getting the feel and atmosphere right for the broadcasts is an ongoing issue. We had a slightly different approach to the different programmes broadcast through the day. The morning programme, prior to the conference was mainly music, with some preview of the days activities. The morning and afternoon coffee break programmes featured Jisc projects and initiatives, whilst the lunch time programme featured interviews with Jisc programme managers. Finally the evening programme was seen as a magazine style ‘wrap-up’ to the day, featuring live interviews with organisers of other UK and European projects as well as providing an opportunity for reflection by the conference organisers. Our broadcasting of music in the radio programmes has proved highly popular, However, it is difficult to choose a mix of music which suits everyone’s tastes. All the music is from the Creative Commons Jamendo web site, meaning that we remain legal whilst at the same time promoting open content. However, this does mean we are unable to play music which is familiar to people and this may be challenging, especially early in the morning! Next time we will try to provide a wider mix of music.

In conclusion, we feel the radio was successful, enhancing the conference, providing a showcase for multi channel and multi platform connections and allowing for reflection and continuity in the overall event.

The shows were presented by Graham Attwell and Dirk Stieglitz selected the music, produced the programme and undertook the post processing.”

This Thursday features a day of LIVE internet radio to support the Jisc Institutional Innovation programme online conference on Institutional Impact.

We will be broadcasting four programmes during the day.

The Morning Programme

The morning programme starts at 10.00 CET (9.00 UK Summer Time) and will run until 1215 CET. The will feature music and chat. At around 11.00 CET we will brodacst Professor John Cook’s keynote speech on “Scaffolding the Mobile Wave”

• How can learning activities that take place outside formal  institutions, on platform of the learners choice, be brought  into institutional learning? New digital media can be regarded as cultural resources that can  enable the bringing together of the informal learning contexts in  the world outside the institution with those processes and contexts  that are valued inside the intuitions. The big problem is that reports show that Social Software and Google  are not enabling the critical, creative and reflective learning that  we value in formal education.
  

The Lunch Time Show
The lunch time broadcast will be from 1400 – 1430 CET (1300 – 1330 UK Summer Time. The show will feature interviews with Ruth Drysdale from Jisc and David Morris plus more music.

The Afternoon Show
The mid afternoon show from 1600 – 1630 CET (1500 – 1530 UK Summer Time)  will feature guest slots from Howard Noble from the Low Carbon ICT project and from Luis Francisco Pedro form Portugal on introducing PLEs throughout the institution.

The Evening Show
The evening show kicks off at 1930 CET 18.30 UK summer Time. Besides providing a chance for quick reflections on the conference, it will also be featuring interviews with leading researchers and practitioners on institutional innovation from all over Europe (we have some great gusts lined up – I will try to provide you with a trailer for them tomorrow). From 2000 CET (1900 UK Summer Time) onwards it will also be streamed into Second Life for participants in the Institutional Innovation conference social event. The show ends at 2030 CET (19.30 UK Summer Time).

How to listen to the programme.
You can access the internet radio feed by going to http://radio.jiscemerge.org.uk:80/Emerge.m3u in your browser. This will open the stream in your MP3 programme of choice (e.g, iTunes).

Please feel free to just sit back and enjor the show. But if you would like to come on the show live to provide your reflections and ideas about the issues being discussed then please skype or email Graham Attwell – graham10 [at] mac [dot] com or GrahamAttwell on skype.

Another great edition of Emerging Sounds of the Bazaar LIVE from Loughborough. This show was broadcast from the Jisc Users and Innovations programme Next Generation Technologies in Practice Conference.

The show was presented by Graham Attwell and Josie Fraser.

It features George Roberts talking about the development of the JISC Emerge community, about building sustainable communities of practice in general and about Open Space technologies.

George is followed by Mark Van Harmelen talking with Graham Attwell about Personal Learning Environments. Mark reflects on the stage of development of PLEs and whether or not it is possible to prescribe the use of an institutional PLE. He goes on to describe the so called Manchester PLE that he is developing with support from the Users and Innovation programme.

Nicola Whitton and Rosie Jones talk to Josie Fraser about the potential of Augmented Reality Games for enhanced learning based on their work for Jisc on the Argosi project.

And Bob Rotherham from the Sounds Good project talks about the use of audio and MP3 recordings for giving feedback to students on their work.

Many thanks to everyone who helped out with the programme, including Steven Warburton who hosted the chatroom, Joe Roso who acted as producer and Dirk Stieglitz for sorting out the technical set up.

Music is by the Drunk Souls from the On Verra Plus Tard album from the Craetive Commons supported Jamendo web site.

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